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It is a common warning for numerous people that jointly caring for a dog post-separation is a terrible idea. Experts frequently claim such setups prevent ex-partners from finding closure, create logistical nightmares, lead to tension, and become annoying for everyone involved. As it turns out, in a revelation worthy of a streaming movie, it can even cause the dogs themselves to experience sadness.

Not to downplay the mental health of our pets – many owners speak of their remarkable empathy. To witness a prime example in dog sorrow, one need only look recent cinema. It seems certain that a dog such as Merv, a scruffy terrier type played by the canine actor Gus, would struggle adapting to life in two homes. Whether this premise a full holiday film on such a setup holds water is rather doubtful.

A Familiar Formula

To its credit, Merv, crafted by the writing duo and under the guidance of director Swale, makes no grand claims anything more than its premise. This is a seasonal offering from a corporate studio – the ambitions are modest. The plot unfolds as simple and direct: exes Russ, played by Charlie Cox and Anna, portrayed by Zooey Deschanel, forced to acknowledge that their individual funk is matched by their dog's, embark on a uplifting getaway to a canine-centric retreat. At this location, predictably, they will surely realize the idea that they should reunite. The supporting cast – featuring a group of comedic actors – serve as eccentric, underutilized, or over-the-top. The film's look is reminiscent of a streaming service original, with a holiday backdrop that is clearly manufactured – think obvious snow effects piled on lush pines as North Carolina substitutes for a wintery Boston.

Where the Film Shines

How these predictable parts coalesce into a pleasant experience depends on the execution and the viewer's appetite for cinematic comfort food. Regarding the second aspect, Merv knows its audience – individuals who seek out for pet content. Audiences receive a plethora of canine-centric sequences. The primary selling point is Merv himself, and while this leads to some stilted moments between animal action and human reaction, the movie succeeds in showing dog beach fun, pet moping, and, in the end, a tail-wagging resolution.

The Two-Legged Cast

This level of success cannot be applied for the interpersonal drama. Its style vacillates between serious study, wacky comedy, formulaic romance, and outright slapstick, not quite landing a single genre. The fault lies not with the actor playing Russ, who is willing to embrace the humiliating and funny inherent in the unusual premise. He brings a charming humility that supplies a significant portion of the appeal for this ostensibly perfect couple. Her co-star Deschanel, true to her usual style, brings a certain millennial quirkiness that will either resonate with viewers. The character comes across as a bit too dry, particularly when alongside Cox's heartfelt sincerity. (It should be noted, the canine performer manages looking despondent – he may not be Messi from that acclaimed drama, he's definitely an excellent dog.)

Merv tries to provide depth to the couple's history for moments when the dog is absent – a bit of a pity, considering Merv is easily the best part of this cute-aiming movie. Unsurprisingly, it just about gets by. The reason for their separation could have been more grounded and mature with greater exploration and less blunt explanation. Ultimately, Merv is light and sugary, fulfilling every expected note. Creating a movie with this canine conflict isn't a bad idea – even if it's hardly a great one either.

• Merv premieres on Prime Video this December.